The former nurse says clients rarely request full removal, but just want it faded to they can update it with a new design. "I would probably do the southern cross tattoo every two days, which I like because I think it's a bit of a bogan tattoo." "We're starting to see a lot of stuff that was really cool in the 90s like tribal, barbed wire. ![]() "Some of the stuff, you're just like, what was it meant to be? You can't even tell. "We get a lot ex-partners' names, things that are spelt wrong, drunken mistakes, things from Thailand," she says. One of her latest clients was a young man who had tattooed the word "meth" on his head. Near the stage where Tuttle will help judge the work of budding Australian body artists, Skye Corvin mans the stall of her laser tattoo removal company. ![]() "Now it's a trend and a fad, and trends and fads end."Īround the world there is a growing industry of people making money off peoples' ink regrets. These guys went off and earned their tattoos. "Guys returning from service would have a tattoo here and there. "I was 10 years and two months old when the Japanese bombed Pearl Harbour. It just seemed like a step in growing up," he says. ( ABC News: Margaret Burin )Īnd he reminisces about the days when a tattoo was a hard-earned travel mark that would stay on the skin for life. "I think we've passed that point," tattooist Jade Baxter says of people who claim the industry is just a fad. He is against facial, neck and hand tattoos. This is where his old school views may differ from those of the tattoo enthusiasts of today. "Don't get one, and stay unique," he says. "I think our nursing homes are going to look pretty rockin'," says Jade Baxter, a tattoo artist from Bacchus Marsh, west of Melbourne.īackstage, the expo's veteran guest offers a piece of advice that may come as a bit of a shock. "Tattoos are stickers on your luggage," he says.Īs hundreds of inked-up people wander through the tattoo expo at Melbourne's convention centre, it is obvious that there are many people who enjoy the benefits of body art's acceptance by mainstream society. His most recent ink is a miniature kiwi he got on his trip to New Zealand earlier this week, located just nearby a tiny tattoo from a visit to Australia a few years back. It just seemed like a step in growing upĮverywhere he goes, he collect tattoos just as most people accrue passport stamps. He has a tiny penguin on his right forearm to mark the occasion. "I've seen a lot of pubic hair in my time." 'Now it's a trend and a fad'Ī part of the body art trade since 1949, Tuttle has tattooed many famous rock stars and has inked people on all seven continents. "With women's liberation, they were getting them on their breasts, inside their bikini line. ![]() ![]() "All of a sudden it became a kinder, softer, gentler form of art," he says. Tuttle's media commentary on the issue put him into the international spotlight.īefore that, the industry had been associated with drunken sailors or ex-prisoners. Only a few years after tattooing had been outlawed in New York City, the women's liberation movement hit America. It was women that fired Tuttle's publicity rocket. "I must've put a few hundred of those on after she passed on, people got them in memory of Janis." "I got the bracelet on, she went downstairs and had a couple of drinks, and then I put the little one on. "You learn early on in tattooing that if someone comes in and they pick out a large design and a small design, you put the big one on first," Tuttle says. She asked for two tattoos a bracelet design on her wrist and a tiny heart on her breast. "Here comes two big dogs into the tattoo shop, and then this crazy gal with her hair and bracelets on," he says. A copy of the 1970 Rolling Stone cover, featuring Lyle Tuttle at work.
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